New media artist
Taking up space: the perfect mix between reality and ad-on’s
In Julian Oliver’s experiments nothing remains as it was before. He creates perfect new vistas and instable landscapes. He redefines the concept of public space by turning it into a wide personalized plane that is not inhabited by a large anonymous group, but by someone well known to us. You and I,- or whomever you’d like to share that space with.
Julian Oliver provides new and alluring approaches to augmented reality. Augmented reality means creating virtual ad-on’s to what is already there. Recently Oliver started working on new forms of utilizing public space that is already dense with advertisements. Just imagine seeing art all around Times Square instead of advertisements for sport shoes and soft drinks. Or imagine someone entering one of those advertisements for soft drinks and thus adding new message and meaning to what it was before. You could be the one who decides what you want to see or be invited by a – preferably famous — curator to look at his selection. Augmented reality is always real-time interactive, in the sense that it blends in perfectly with the real space in which it is activated. This allows multiple use of public space. The advertisement is still there, it just isn’t there all the time to all the people. This project works in all three dimensions: that means that you could actually go to Times Square and look at the surfaces through what is called advertiser binoculars. But you could also watch the project on any screen available, — like your i-phone. Obviously it can be used for printing as well.
Julian Oliver is an artist and a great technical thinker. He is from New Zealand and now lives in Berlin. He has presented his projects at museums and international events all over the world, including the Tate Modern, Transmediale, Ars Electronica and the Japan Media Arts Festival.

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[…] artista y programador Julian Oliver propone mejorar la realidad utilizando la misma tecnología para mejorar la realidad, en este caso, […]